Jarvis rose to the top of his profession by 1814, when he took over an unprecedented commission for six full-length portraits of the naval heroes of the War of 1812 for the City of New York. His apprentice, Henry Inman, probably accompanied him on these trips until his term of service ended in 1822. During the 1820s and 30s, for example, he sought work in South Carolina, Kentucky, Louisiana, Massachusetts, Washington, Virginia, Ohio, and Georgia. While New York always remained his home base, he continued his habit of extended residences in other cities for most of the rest of his life. Although he made occasional trips back to New York, he remained in Baltimore for several years. He parted with his family in order to seek portrait commissions in Baltimore. In 1809, Jarvis married Betsy Burtis (who died four years later in 1813, leaving him with two children). Lafitte Brothers in Dominique You's Bar, attributed to John Wesley Jarvis (c. He affected singularity in dress and manners, and his mots were the talk of the day. He had for assistants at different times both Thomas Sully and Henry Inman. He visited Baltimore, Charleston, and New Orleans, entertaining much and painting portraits of prominent people, particularly in New Orleans, where General Andrew Jackson was one of his sitters. In New York City he enjoyed great popularity, though his conviviality and eccentric mode of life affected his work. In addition, he operated a drawing school and executed inexpensive silhouette portraits. Jarvis had learned the technique of miniature painting from Edward Malbone and by the time of the Jarvis/Wood partnership, he was also producing his first oil paintings. Together they executed engravings, miniatures, and larger portraits. His partnership with Wood lasted seven years. In 1803 he entered into a partnership with Joseph Wood. Within a year he was working on his own as an engraver. Jarvis moved to New York in 1801 with Edward Savage. He also spent times with David Edwin, an English engraver also employed by Savage. His formal instruction began around 1796, when he became apprenticed to Edward Savage. He is known to have frequented the studio of the aging colonial-era portrait painter Matthew Pratt and he knew the Danish painter Christian Gullager. The Jarvis family settled in Philadelphia there he spent his childhood and began his artistic training. His father was an English mariner, who moved his family to the United States in the mid-1780s. John Wesley Jarvis (great, great nephew of Methodist leader John Wesley), was born at South Shields, England. See also įootnotes One of five portraits of Elizabeth I of England attributed to John Bettes the Younger or his studio, c.John Wesley Jarvis (1780 or 1781 – January 14, 1839) was an American painter. John Bettes died in January 1616 and bequeathed his son (also John) a picture of John Bettes the Elder, two easels, and a porphyry slab and muller for grinding pigments. Bettes' first wife died, and he married Ellianor Harman on 8 September 1614. A son, Thomas Bettes, died in August 1593, and a daughter Judith was born in July 1599. His wife may have been Magdalen Browne of St Gregory's parish. John Bettes and his studio are thought to have made a number of portraits of Elizabeth I. In later years he moved to the parish of St Gregory-by-St Pauls.Ī miniature portrait of Francis Walsingham, who was buried at St Gregory's Church in 1590, in the possession of the Duke of Buccleuch is attributed to Bettes. He lived in London on Grub Street in St Giles, Cripplegate. Like Isaac Oliver and Rowland Lockey, Bettes the Younger is believed to have studied under Nicholas Hilliard. His father, the painter John Bettes the Elder died in, or before 1570. John Bettes the Younger (died 1616) was an English portrait painter. Attributed to John Bettes the Younger, Portrait of a Lady, 1585
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